ANIM30261
Storyboarding- Project Development
 
  I: Administrative Information   II: Course Details   III: Topical Outline(s)  Printable Version   Public
 
Section I: Administrative Information
  Credit Value: 2.0
Credit Value Notes: N/A
Effective: Winter 2013
Prerequisites: (ANIM30102)
Corequisites: N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A

Course Name (short): Storyboard'g: Proj Development
School:
Animation Arts and Design
Program(s): Bachelor of Animation
Program Coordinator(s): Angela Stukator
Course Leader or Contact: Nancy Beiman
Originator: Paulette Geffros
Designate: Paulette Geffros
Version:
15.0
Status: Approved (APPR)

Calendar Description
This course is designed to provide students with the opportunity to establish a personal artistic vision that will direct their senior project in Year 4. Students develop advanced research methodologies to support their individual artistic voice.

Typical Instructional Format

Studio Course
28.0
Total hours: 28.0

Courses may be offered in other formats.

Section I Notes: N/A

 
 
Section II: Course Details

Detailed Description
This course is designed to provide students with the opportunity to establish a personal artistic vision that will direct their senior project in Year 4. Students are involved in conducting independent research for the story concepts that will be the basis of the Senior Film Project they develop in Year 4. Methodologies include a variety of location studies, interviews with subject matter experts, development and collection of photo and video to support their individual artistic voice. Products to be developed for their final portfolio submissions include a short essay, sketches, conceptual art illustrating story arcs, drawings and a summary. Other components might include set designs, story arc panels, character pages and short scripts. Students present a summary of their project work before submission of the portfolio. Through interactive lecture, discussion, independent research and portfolio development, students learn to generate a story from initial concept to full portfolio development in preparation for the senior film project in Year 4.

Program Context

 
Bachelor of Animation Program Coordinator: Angela Stukator
This course is part of the core component of the third year of the Bachelor of Applied Arts (Animation) Program. It is the last in a series of six courses in Story and Storyboarding whose development reflects comprehensive and thoughtful scope, content analysis and sequence in the delivery within the Story stream. In addition, it reflects continuity, integration and balance through the other streams at an advanced level and reflects the complexity and logic of the design of the BAA Applied (Animation) Program. It prepares students for the fourth year by researching the story concept to be used in the Senior Project and reinforces the connections to storytelling, character, animation and performance in courses in other streams within the program.


Course Critical Performance and Learning Outcomes

 
 Critical Performance
By the end of this course, students will have demonstrated the 
ability to design a comprehensive portfolio that showcases a personal 
artistic expression, style, vision and effective problem-solving 
through extensive research and in-depth development of a story 
concept.

Learning Outcomes
To achieve the critical performance, students will have demonstrated 
the ability to:

1. Evaluate a play, opera, ballet or cinematic film in terms of story 
   and performance in the context of their artistic vision.

2. Create a sketch journal of diverse observations of reference 
   material that supports a focused vision.

3. Generate an artist's statement that incorporates research 
   developed from a variety of documented sources. 

4. Utilize various research approaches to create component pieces of 
   their portfolio.

5. Interview an expert in the subject under research, to assist in 
   the development of story concept.

6. Develop an outline of a potential script.

7. Summarize their story through the development of selected visual 
   story beats. 

8. Synthesize material researched and developed into specific 
   components to create a working portfolio reflecting a focused 
   vision.

9. Articulate their artistic vision clearly and succinctly in a 
   presentation to peers.

10. Complete all deliverables in accordance with the deadlines 
    provided.

11. Participate actively and constructively in critiques.
Evaluation Plan
Students demonstrate their learning in the following ways:

 
Assignment 1:  Story Experiments             30%
Assignment 2:  Team Project Report           30%
Assignment 3:  4th Year Concept/Storyboard   30%
Assignment 4:  "What's Your Story So Far??   10%
Total:                                      100%

Late Policy for all courses in the program:

All assignments are due within the first 15 minutes after the start 
of class on the due date. Late projects, submitted after the first 15 
minutes of the start of class will receive a 20% grade reduction. 
Late projects submitted the following week will receive a 30% grade 
reduction. There will be no submission of work after the last day of 
semester unless arrangements have been made and documented by the 
professor.

Work that is more than one week late will not be graded unless a 
prior arrangement has been made with the professor; the arrangement 
must be documented on email or a memo, with the new due date 
identified. There will be no resubmission of work unless, under 
exceptional circumstances, this has been agreed to or suggested by 
the professor.  Again, a hard copy of the agreement is necessary.

If there is a valid reason for the late project, the student must 
email the professor at least 3 days before the due date.  If the 
reason is deemed to be valid, there will be no late penalty.  A new 
due date with be set by the instructor.

The basic late policy as laid out above will be followed, except in 
the instance that an instructor requires a variation in policy. That 
variation will be provided to the student in writing as part of the 
actual assignment, which will be handed out by the instructor.
Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:

 

Essential Employability Skills
Essential Employability Skills emphasized in the course:

  Communication   Critical Thinking & Problem Solving   Interpersonal
  Numeracy   Information Management   Personal

Notes: N/A

Prior Learning Assessment and Recognition
PLAR Contact: Angela Stukator

Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous life and work experiences. This course is eligible for challenge through the following method(s):

Challenge Exam Portfolio Interview Other Not Eligible for PLAR
  X X X  

Notes: Both are required.

 
 
Section III: Topical Outline
Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Winter 2013
Professor: Multiple Professors
Textbook(s):
No Textbook Required.

Recommended Reading List:
Levy, David B., Animation Development: From Pitch to Production,
Allworth Press; 2009.
Murray, Joe. Creating Animated Cartoons with Character: A Guide to
Developing and Producing Your Own Series for TV, the Web, and Short 
Film
Sheridan, Sherri. Developing Digital Short Films. New Riders. 2004


3rd Year Story Lab: http://3rdyearstorylab.blogspot.com/

Applicable student group(s): Students in the BAA (Animation) Program
Course Details:
Instructor: James Caswell

WEEK 1
LAB
Idea Generation Exercises.
Industry Research Group Selection

WEEK 2 
LAB
Experiment #1: Rough Idea/ Work period.
Industry Research Team & Project Selection.

WEEK 3 
LAB
Experiment #1: Group 1 Presentation

WEEK 4 
LAB
Experiment #1: Group 2 Presentation

WEEK 5 
LAB
Experiment #2: Rough Idea /Work period.

WEEK 6	
LAB
Experiment #2 Group 2 Presentation.

WEEK 7	
LAB
Experiment #2: Group 1 Presentation

_______________________________________

READING WEEK
_______________________________________

WEEK 8
LAB
Prep 4th year Concept/Work Period.

WEEK 9      
LAB
4th year Concept Work Presentation Group#1

WEEK 10     
LAB
4th year Concept Work Presentation Group#2

WEEK 11   
LAB
4th Year Concept Work Period Refinement Group#1

WEEK 12     
LAB
4th Year Concept Work Period Refinement Group#2

WEEK 13
LAB
Portfolio Review Self Assessment Group #1

WEEK 14     
LAB
Portfolio Review Self Assessment Group #2


Academic Honesty
The principle of academic honesty requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the faculty member, or otherwise submitting work that is not the student's own violates this principle and will not be tolerated. Instances of academic dishonesty, including assisting another student to cheat, will be penalized as detailed in the Student Handbook.

Students who have any questions regarding whether or not specific circumstances involve a breach of academic honesty are advised to discuss them with the faculty member prior to submitting the assignment in question.

Discrimination and Harassment
Sheridan is committed to provide a learning environment that respects the dignity, self esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination are available in the Student Handbook.
 
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