ANTH26859GD
Visual Narratives: Creative and Critical Analysis
 
  I: Administrative Information   II: Course Details   III: Topical Outline(s)  Printable Version   Public
 
Section I: Administrative Information
  Credit Value: 3.0
Credit Value Notes: N/A
Effective: Spring/Summer 2013
Prerequisites: (ANTH18731GD)
Corequisites: N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A

Course Name (short): Visual Narratives
School:
Community and Liberal Studies
Program(s): Degree Breadth
Program Coordinator(s): Sean McNabney
Course Leader or Contact: Anna Boshnakova
Originator: Adele Dodge
Designate: Kavita Mathew
Version:
1.0
Status: Approved (APPR)

Calendar Description
Students learn the principles and techniques of critical and creative thinking. Through the process of semantic image analysis, they examine the cultural construction of visual narratives in the arts, media and everyday life. Applying a range of critical theories, students practice the inter-disciplinary approach to visual culture, through the disciplinary lens of anthropology.

Typical Instructional Format

Lecture
42.0
Total hours: 42.0

Courses may be offered in other formats.

Section I Notes: N/A

 
 
Section II: Course Details

Detailed Description
Students learn the principles and techniques of critical and creative thinking. Through the process of semantic image analysis, they examine the cultural construction of visual narratives in the arts, media and everyday life. Applying a range of critical theories, students practice the inter-disciplinary approach to visual culture, through the disciplinary lens of anthropology. Through creative and critical analysis of figurative language, students learn the art of interpretation and reconstruction of the meaning. Students explore the power of context and discover the idea that reading visual narratives is not only about what is shown, it is also about how things are shown, what we do not see and why we can not see it. Students develop strong observation and analytical skills, stretch their imaginations and expand their creative and critical thinking through interactive lectures and discussions, creative activities, open-ended tasks, readings, video clips and an image analysis.

Program Context

 
Degree Breadth Program Coordinator: Sean McNabney
This is an intermediate- level, Social Science Baccalaureate elective for students in the Degree programs. Electives make students aware of the distinctive assumptions and analysis of at least one discipline outside their main field of study and of the society and culture in which they live and work.


Course Critical Performance and Learning Outcomes

 
 Critical Performance

By the end of this course, students will have demonstrated the 
ability to critically interpret visual narratives in a variety of 
historical and cultural contexts.
  
Learning Outcomes
To achieve the critical performance, students will have demonstrated 
the ability to:

1. Evaluate the critical terms and perspectives of contemporary 
visual culture within a framework of critical theory and creative 
approaches.
 
2. Apply techniques of critical and creative thinking through the 
process of semantic image analysis.

3. Analyze archaeological artifacts and artistic representations in 
the cultural contexts in which they are created and received.

4. Identify the visual cues (sign, symbol, visual code) in various 
types of literal, symbolic and metaphoric meanings. 

5. Interpret visual narratives in their historical, social and 
cultural context.

6. Develop a critical reading of visual texts.


Evaluation Plan
Students demonstrate their learning in the following ways:

 
Students demonstrate their learning in the following ways:

TESTS:                                                2 x 25% = 50%

ASSIGNMENTS:                                                         
        
IMAGE ANALYSIS/INTERPRETATION ESSAY:                            25%
IMAGE ANALYSIS/INTERPRETATION PRESENTATION:                     15%
                                                                     
IN-CLASS ACTIVITIES                                   2 X 5%    10%

TEST AND ASSIGNMENT PROTOCOL 

To encourage behaviours that will help students to be successful in 
the workplace and to ensure that students receive credit for their 
individual work, the following rules apply to every course offered 
within the Faculty of Humanities and Social Sciences.  
            
1. Students are responsible for staying abreast of test dates and 
   times, as well as due dates and any special instructions for 
   submitting assignments and projects as supplied to the class 
   by the Professor.
2. Students must write all tests at the specified times. Missed 
   tests, in-class activities, assignments and presentations are   
   awarded a mark of zero. If an extension or make-up opportunity 
   is approved by the professor as outlined below, the mark of zero 
   may be revised by subsequent performance.  The penalty for late   
   submission of written assignments is a loss of 10% per day for 
   up to five business days (excluding weekends and statutory 
   holidays), after which, a grade of zero is assigned.  Business
   days include any day that the college is open for business, 
   whether the student has scheduled classes that day or not.  
3. Students, who miss a test or in-class activity or assignment or 
   fail to submit an assignment on time due to exceptional
   circumstances, are required to notify their professor in advance
   of the class whenever possible.  A make-up test may be supplied 
   for students who provide an acceptable explanation of their  
   absence and/or acceptable documentation explaining their absence
   (e.g., a medical certificate).  All make-up tests are to be 
   written at a time and place specified by the professor upon the
   student's return.  Alternately, students may be given an 
   opportunity to earn the associated marks by having a subsequent 
   test count for the additional marks.  Similarly, exceptional 
   circumstances may result in a modification of the due dates for
   assignments.
4. Unless otherwise specified, assignments and projects must be 
   submitted at the beginning of class. 
5. Students must complete every assignment as an individual effort  
   unless, the professor specifies otherwise.
6. Since there may be instances of grade appeal or questions 
   regarding the timely completion of assignments and/or extent of   
   individual effort, etc., students are strongly advised to keep,  
   and make available to their professor, if requested, a copy of 
   all assignments and working notes until the course grade has been 
   finalized.  
7. There will be no resubmission of work unless this has been 
   previously agreed to or suggested by the professor. 
8. Students must submit all assignments in courses with practical 
   lab and field components in order to pass the course.
Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:

 

Essential Employability Skills
Essential Employability Skills emphasized in the course:

  Communication   Critical Thinking & Problem Solving   Interpersonal
  Numeracy   Information Management   Personal

Notes: N/A

Prior Learning Assessment and Recognition
PLAR Contact: Sean McNabney

Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous life and work experiences. This course is eligible for challenge through the following method(s):

Challenge Exam Portfolio Interview Other Not Eligible for PLAR
X        

Notes: N/A

 
 
Section III: Topical Outline
Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Spring/Summer 2013
Professor: Anna Boshnakova
Textbook(s):
Sturken, M. and L. Cartwright (2009). Practices of Looking. Oxford 
University Press.

Recommended Reading:

Smith, M. (2008). Visual Culture Studies. Sage Publications Ltd.

Applicable student group(s): Degree Breadth
Course Details:
Unit 1 - Narratives in visual culture: introduction to visual culture 
studies
Topics:
-	Visual narratives: history, theory and practice 
-	Modes of analysis

Reading: Chapter: Introduction


Unit 2 - Visual culture, everyday life and visual literacy 
Topics:
-	The relationship of text and image: how text changes  
        perception of images
-	How to read images
-	Encoding and decoding
-	Reception and the audience

Reading: Chapter 2

Unit 3 - Visual codes and historical meaning 
Topics:
-	Archaeology and the image 
-	Image and context
-	Image and the body: realism and perspective

Reading: Chapter 4

Unit 4 - The story behind the image: how we negotiate the meaning of 
images
Topics:
-	Now and then: visual narratives from past and present
-	Destruction and reconstruction of the lost meaning
-	Images as evidence
-	Vision and truth

In-class activity (5%)
Reading: Chapter 9

Unit 5 - Image, reproduction and copy
Topics: 
-	The value of images
-	Image reproduction

Reading: Chapter 5

Unit 6 - Limits of the visible 
Topics:
-	Images, ideology and subjectivity
-	Blindness and visual narratives

Reading: Chapter 1

Test 1 (25%)

Unit 7 - Modernity: The gaze and the other
Topics:
-	Discourse and power
-	The gaze in psychoanalysis
-	Gender and the gaze

Assignment due 
Image analysis/interpretation essay (25%)

Reading: Chapter 3


Unit 8 - Postmodernism and its visual narratives
Topics:
-	Reflexivity and postmodern identity: pastiche, parody and 
        remake
-	Deconstruction of metaphysical identity

In-class activity (5%)
Reading: Chapter 8

Unit 9 - Visual narratives of desire, belonging and envy
Topics:
-	Brands and their meaning
-	Images of ¿coolness¿ 

Reading: Chapter 7 

Test 2 (25%)

Unit 10 - Mass media image and image flows
Topics:
-	Media and everyday life
-	Media forms

Reading: Chapter 6 

Unit 11 - Visuality and global media flow I
Topics:
-	The global gaze
-	Concepts of globalization

Group I: Assignment due
Image analysis/interpretation presentation (15%)

Reading: Chapter 10

Unit 12 - Visuality and global media flow II
Topics:
-	Cultural imperialism and beyond
-	Indigenous and global brands

Group II: Assignments due
Image analysis/interpretation presentation (15%)

Reading: Chapter 10


Academic Honesty
The principle of academic honesty requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the faculty member, or otherwise submitting work that is not the student's own violates this principle and will not be tolerated. Instances of academic dishonesty, including assisting another student to cheat, will be penalized as detailed in the Student Handbook.

Students who have any questions regarding whether or not specific circumstances involve a breach of academic honesty are advised to discuss them with the faculty member prior to submitting the assignment in question.

Discrimination and Harassment
Sheridan is committed to provide a learning environment that respects the dignity, self esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination are available in the Student Handbook.
 
[ Printable Version ]

Copyright © Sheridan College. All rights reserved.