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Credit Value: 3.0
Credit Value Notes: N/A
Effective: Spring/Summer 2013
Prerequisites:
(ANTH18731GD)
Corequisites:
N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A |
Course
Name (short): Visual Narratives
School: Community and Liberal Studies
Program(s):
Degree Breadth
Program Coordinator(s):
Sean McNabney
Course Leader or Contact: Anna Boshnakova
Originator: Adele Dodge
Designate: Kavita Mathew
Version: 1.0
Status: Approved (APPR)
Calendar Description
Students learn the principles and techniques of critical and
creative thinking. Through the process of semantic image analysis,
they examine the cultural construction of visual narratives in the
arts, media and everyday life. Applying a range of critical
theories, students practice the inter-disciplinary approach to
visual culture, through the disciplinary lens of anthropology.
Typical Instructional Format
Lecture
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42.0 |
Total hours: |
42.0 |
Courses may be offered in other formats.
Section I Notes:
N/A
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Detailed Description
Students learn the principles and techniques of critical and
creative thinking. Through the process of semantic image analysis,
they examine the cultural construction of visual narratives in the
arts, media and everyday life. Applying a range of critical
theories, students practice the inter-disciplinary approach to
visual culture, through the disciplinary lens of anthropology.
Through creative and critical analysis of figurative language,
students learn the art of interpretation and reconstruction of the
meaning. Students explore the power of context and discover the idea
that reading visual narratives is not only about what is shown, it
is also about how things are shown, what we do not see and why we
can not see it.
Students develop strong observation and analytical skills, stretch
their imaginations and expand their creative and critical thinking
through interactive lectures and discussions, creative activities,
open-ended tasks, readings, video clips and an image analysis.
Program Context
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Degree Breadth |
Program Coordinator: Sean McNabney |
This is an intermediate-
level, Social Science
Baccalaureate elective for
students in the Degree
programs. Electives make
students aware of the
distinctive assumptions and
analysis of at least one
discipline outside their
main field of study and of
the society and culture in
which they live and work.
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Course Critical Performance and Learning Outcomes
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Critical Performance
By the end of this course, students will have demonstrated the
ability to critically interpret visual narratives in a variety of
historical and cultural contexts.
Learning Outcomes
To achieve the critical performance, students will have demonstrated
the ability to:
1. Evaluate the critical terms and perspectives of contemporary
visual culture within a framework of critical theory and creative
approaches.
2. Apply techniques of critical and creative thinking through the
process of semantic image analysis.
3. Analyze archaeological artifacts and artistic representations in
the cultural contexts in which they are created and received.
4. Identify the visual cues (sign, symbol, visual code) in various
types of literal, symbolic and metaphoric meanings.
5. Interpret visual narratives in their historical, social and
cultural context.
6. Develop a critical reading of visual texts.
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Evaluation Plan
Students demonstrate their learning in the following ways:
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Students demonstrate their learning in the following ways:
TESTS: 2 x 25% = 50%
ASSIGNMENTS:
IMAGE ANALYSIS/INTERPRETATION ESSAY: 25%
IMAGE ANALYSIS/INTERPRETATION PRESENTATION: 15%
IN-CLASS ACTIVITIES 2 X 5% 10%
TEST AND ASSIGNMENT PROTOCOL
To encourage behaviours that will help students to be successful in
the workplace and to ensure that students receive credit for their
individual work, the following rules apply to every course offered
within the Faculty of Humanities and Social Sciences.
1. Students are responsible for staying abreast of test dates and
times, as well as due dates and any special instructions for
submitting assignments and projects as supplied to the class
by the Professor.
2. Students must write all tests at the specified times. Missed
tests, in-class activities, assignments and presentations are
awarded a mark of zero. If an extension or make-up opportunity
is approved by the professor as outlined below, the mark of zero
may be revised by subsequent performance. The penalty for late
submission of written assignments is a loss of 10% per day for
up to five business days (excluding weekends and statutory
holidays), after which, a grade of zero is assigned. Business
days include any day that the college is open for business,
whether the student has scheduled classes that day or not.
3. Students, who miss a test or in-class activity or assignment or
fail to submit an assignment on time due to exceptional
circumstances, are required to notify their professor in advance
of the class whenever possible. A make-up test may be supplied
for students who provide an acceptable explanation of their
absence and/or acceptable documentation explaining their absence
(e.g., a medical certificate). All make-up tests are to be
written at a time and place specified by the professor upon the
student's return. Alternately, students may be given an
opportunity to earn the associated marks by having a subsequent
test count for the additional marks. Similarly, exceptional
circumstances may result in a modification of the due dates for
assignments.
4. Unless otherwise specified, assignments and projects must be
submitted at the beginning of class.
5. Students must complete every assignment as an individual effort
unless, the professor specifies otherwise.
6. Since there may be instances of grade appeal or questions
regarding the timely completion of assignments and/or extent of
individual effort, etc., students are strongly advised to keep,
and make available to their professor, if requested, a copy of
all assignments and working notes until the course grade has been
finalized.
7. There will be no resubmission of work unless this has been
previously agreed to or suggested by the professor.
8. Students must submit all assignments in courses with practical
lab and field components in order to pass the course.
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Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:
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Essential Employability
Skills
Essential Employability Skills emphasized in the course:
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Communication
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Critical Thinking & Problem Solving
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Interpersonal
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Numeracy |
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Information
Management |
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Personal
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Notes: N/A
Prior Learning Assessment and Recognition
PLAR Contact: Sean McNabney
Students may apply to receive credit by demonstrating achievement
of the course learning outcomes through previous life and work experiences.
This course is eligible for challenge through the following
method(s):
Challenge Exam |
Portfolio |
Interview |
Other |
Not Eligible for PLAR |
X |
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Notes: N/A
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Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Spring/Summer 2013
Professor: Anna Boshnakova
Textbook(s): Sturken, M. and L. Cartwright (2009). Practices of Looking. Oxford
University Press.
Recommended Reading:
Smith, M. (2008). Visual Culture Studies. Sage Publications Ltd.
Applicable student group(s): Degree Breadth
Course Details:Unit 1 - Narratives in visual culture: introduction to visual culture
studies
Topics:
- Visual narratives: history, theory and practice
- Modes of analysis
Reading: Chapter: Introduction
Unit 2 - Visual culture, everyday life and visual literacy
Topics:
- The relationship of text and image: how text changes
perception of images
- How to read images
- Encoding and decoding
- Reception and the audience
Reading: Chapter 2
Unit 3 - Visual codes and historical meaning
Topics:
- Archaeology and the image
- Image and context
- Image and the body: realism and perspective
Reading: Chapter 4
Unit 4 - The story behind the image: how we negotiate the meaning of
images
Topics:
- Now and then: visual narratives from past and present
- Destruction and reconstruction of the lost meaning
- Images as evidence
- Vision and truth
In-class activity (5%)
Reading: Chapter 9
Unit 5 - Image, reproduction and copy
Topics:
- The value of images
- Image reproduction
Reading: Chapter 5
Unit 6 - Limits of the visible
Topics:
- Images, ideology and subjectivity
- Blindness and visual narratives
Reading: Chapter 1
Test 1 (25%)
Unit 7 - Modernity: The gaze and the other
Topics:
- Discourse and power
- The gaze in psychoanalysis
- Gender and the gaze
Assignment due
Image analysis/interpretation essay (25%)
Reading: Chapter 3
Unit 8 - Postmodernism and its visual narratives
Topics:
- Reflexivity and postmodern identity: pastiche, parody and
remake
- Deconstruction of metaphysical identity
In-class activity (5%)
Reading: Chapter 8
Unit 9 - Visual narratives of desire, belonging and envy
Topics:
- Brands and their meaning
- Images of ¿coolness¿
Reading: Chapter 7
Test 2 (25%)
Unit 10 - Mass media image and image flows
Topics:
- Media and everyday life
- Media forms
Reading: Chapter 6
Unit 11 - Visuality and global media flow I
Topics:
- The global gaze
- Concepts of globalization
Group I: Assignment due
Image analysis/interpretation presentation (15%)
Reading: Chapter 10
Unit 12 - Visuality and global media flow II
Topics:
- Cultural imperialism and beyond
- Indigenous and global brands
Group II: Assignments due
Image analysis/interpretation presentation (15%)
Reading: Chapter 10
Academic Honesty
The principle of academic honesty requires that all work submitted for evaluation and course credit be the original,
unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on
work, except for group projects arranged and approved by the faculty member, or otherwise submitting work that is not
the student's own violates this principle and will not be tolerated. Instances of academic dishonesty, including
assisting another student to cheat, will be penalized as detailed in the Student Handbook.
Students who have any questions regarding whether or not specific circumstances involve a breach of academic
honesty are advised to discuss them with the faculty member prior to submitting the assignment in question.
Discrimination and Harassment
Sheridan is committed to provide a learning environment that respects the dignity, self esteem and fair treatment
of every person engaged in the learning process. Behaviour which is inconsistent with this principle will
not be tolerated. Details of Sheridan's policy on Harassment and Discrimination are available in the Student Handbook.
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