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Credit Value: 2.0
Credit Value Notes: N/A
Effective: Fall 2004
Prerequisites:
N/A
Corequisites:
N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A |
Course
Name (short): Animation Drawing 2
School: All Sheridan Schools
Program(s):
Animation
Program Coordinator(s):
Andrew Bodor
Course Leader or Contact: Kristin Andrew Pearn
Originator: Paulette Geffros
Designate: Paulette Geffros
Version: 1.0
Status: Approved (APPR)
Calendar Description
In this semester we will continue to work on our design rules
established in our first semester. We will continue to build and
develop structural drawing skills. We will also expand our knowledge
to simplify and design appealing overlapping action (drapery and
hair). We will study animal anatomy, design and caricature. We will
also discuss the difference between conceptual and production artwork,
and create a working design pack (studio standard). Clean up and
portfolio presentation will also be discussed closer to the end of the
school year.
Typical Instructional Format
Lab
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28.0 |
Total hours: |
28.0 |
Courses may be offered in other formats.
Section I Notes:
N/A
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Detailed Description
In this semester we will continue to work on our design rules
established in our first semester. We will continue to build and
develop structural drawing skills. We will also expand our knowledge
to simplify and design appealing overlapping action (drapery and
hair). We will study animal anatomy, design and caricature. We will
also discuss the difference between conceptual and production artwork,
and create a working design pack (studio standard). Clean up and
portfolio presentation will also be discussed closer to the end of the
school year.
Program Context
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Animation |
Program Coordinator: Andrew Bodor |
This course is the second part of a core component of the Classical Animation program and leads to more advanced studies in subsequent semesters.
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Course
Learning Outcomes
Learning
outcomes identify the critical performances, and the knowledge, skills
and attitudes that successful students will have reliably demonstrated
through the learning experiences and evaluation in the course. Successful students will have demonstrated the following:
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Knowledge
Successful students will have demonstrated knowledge of:
- structural drawing
- geometric breakdown of shapes and forms in various poses
- lines of action
- exaggeration, emotion, expression and attitude in character design
- construction of various model sheets designed in animation studios
- on model consistency and believable weight, balance and proportion
in character design
- design of anthropomorphic objects and animals
- character types
- character interaction
- structural breakdown of established characters
Skills
Successful students will have demonstrated further development in
their abilities to:
- draw structurally
- incorporate a strong sense of balance and weight in character
design
- draw basic dimensional froms from a variety of views
- have characters express emotion resulting in convincing performance
posing
- use model sheets to analysis proportion and on model consistency
- understand types of anthropomorphism in animate and inanimate
objects
- design characters that function for movement, are appealing and
believable
Attitudes
Successful students will have demonstrated attitudes of:
- professionalism (presentation is orderly, instructions are
followed, deadlines are met)
- Responsibility
- working cooperatively in large and small groups as well as with
partners
- class participation
- respect for classroom environment
- respect for one another
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Evaluation Plan
Students demonstrate their learning in the following ways:
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Assignment #1 - 20%
Assignment #2 - 10%
Assignment #3 - 10%
Assignment #4 - 10%
Concept piece - 10%
Character designs & Line up - 20%
Rotations & Mouthcharts - 20%
TOTAL 100%
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Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:
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Generic
Skills
Generic Skills emphasized in the course:
X
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communication
- written |
X
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communication
- oral |
X
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communication
- visual |
X
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analytical |
X
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creative
thinking |
X
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decision
making |
X
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interpersonal |
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numeracy |
X
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organizational |
X
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problem
solving |
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technological |
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other
(see below) |
Notes: N/A
General Education
This General Education course relates to the following themes as specified by the Ministry of Training, Colleges
and Universities.
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asthetic
appreciation |
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social
understanding |
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civic
life |
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understanding
science |
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cultural
understanding |
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understanding
technology |
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personal
development |
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work
and the economy |
Prior Learning Assessment and Recognition
PLAR Contact: Andrew Bodor
Students may apply to receive credit by demonstrating achievement
of the course learning outcomes through previous life and work experiences.
This course is eligible for challenge through the following
method(s):
Challenge Exam |
Portfolio |
Interview |
Other |
Not Eligible for PLAR |
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X |
X |
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Notes: N/A
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Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Fall 2004
Professor: Kristin Andrew Pearn
Textbook(s): N/A
Applicable student group(s): Students of Classical Animation
Course Details:WEEK 1: Overlapping action: Drapery- we will discuss the design
and logic of drapery and clothing in animation.
ASSIGNMENT: Begin design work for script synopsis. Due in two weeks
Jan. 20th - Worth 20%
WEEK 2: Overlapping action: Hair- Will discuss the design and
logic of hair and style for animation.
Con't to work on script.
WEEK 3: Review model sheet analysis. How to break a character
sheet into workable components.
NOTE: Students are asked to select a character to analyze by the
following week. Must provide a model sheet of that character ie.Porky
pig, tarzan, Mr. Magoo etc.
*Assignment #1 due!!!!
WEEK 4: Using the Character the student selects in week 3, and a
live modelstudents are asked to pose that character in
various expressions, using the model for reference.
ASSIGNMENT: Students will be asked to hand in three rough drawings
from that day in class with the model sheet of the character.
Drawings will be marked on accurate short handing and emotional
acting. Worth 10%
WEEK 5: Possible field trip for some life drawing "in the field".
WEEK 6: Animal anatomy. Will provide live reference (two exotic
mutts adopted from the Toronto Humane Society).
ASSIGNMENT: Students are asked to caricature live reference (dogs).
Two rough designs will be submitted for grading by the end of class.
Worth 10%
WEEK 7: Zoo trip. BYOP. (bring your own pencils)
READING WEEK
WEEK 8: Discuss the difference between concept and production art.
Analyze the nuts and bolts of a studio design pack.
(Rotations, mouth charts, expression sheets, line-up)
ASSIGNMENT: Begin story passage #3. Students will have to design
characters from a script. They will have to provide expressions for
all of the characters and compose a line-up. One character will be
chosen for complete work-up including full body rotation and lip sync
charts. Due at the end of day on the fifth week. April 1 (no
foolin')
Concept piece - 10%
Character designs and Line up 20%
Rotations and Mouthcharts 20%
WEEK 9: Talk about the do's and don'ts of good clean-up.
*con't to work on last assignment.
ASSIGNMENT: Hand in 10 pages of observational life
drawing for grading. Worth 10%
WEEK 10: Discuss good presentation for portfolio, and the way
to go about looking for a studio gig.
*con't to work on Assignment.
WEEK 11: Con't to work on Assignment.
WEEK 12: LAST ASSIGNMENT DUE!!!!! (NO EXTENTIONS) APRIL 1, 2003
WEEK 13 & 15: Assessments-no classes
YOU WILL RECEIVE YOUR FINAL PROJECT AND MARKS AT OR BEFORE YOUR
ASSESSMENT!
Academic Honesty
The principle of academic honesty requires that all work submitted for evaluation and course credit be the original,
unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on
work, except for group projects arranged and approved by the faculty member, or otherwise submitting work that is not
the student's own violates this principle and will not be tolerated. Instances of academic dishonesty, including
assisting another student to cheat, will be penalized as detailed in the Student Handbook.
Students who have any questions regarding whether or not specific circumstances involve a breach of academic
honesty are advised to discuss them with the faculty member prior to submitting the assignment in question.
Discrimination and Harassment
Sheridan is committed to provide a learning environment that respects the dignity, self esteem and fair treatment
of every person engaged in the learning process. Behaviour which is inconsistent with this principle will
not be tolerated. Details of Sheridan's policy on Harassment and Discrimination are available in the Student Handbook.
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