ANIM28263
Intermediate Figure Analysis
 
  I: Administrative Information   II: Course Details   III: Topical Outline(s)  Printable Version   Public
 
Section I: Administrative Information
  Credit Value: 3.0
Credit Value Notes: N/A
Effective: Fall 2014
Prerequisites: (ANIM13672)
Corequisites: N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A

Course Name (short): Intermediate Figure Analysis
School:
Animation Arts and Design
Program(s): Bachelor of Animation
Program Coordinator(s): Mark Mayerson
Course Leader or Contact: Tim Mccormack
Originator: Barbara Mathieu
Designate: Barbara Mathieu
Version:
15.0
Status: Approved (APPR)

Calendar Description
This course is designed to provide students with opportunities to integrate a comprehensive and detailed knowledge of musculature and its function into the drawing of dynamic form. It introduces students to the figure in the context of the environment using principles of linear perspective.

Typical Instructional Format

Studio Course
42.0
Total hours: 42.0

Courses may be offered in other formats.

Section I Notes: Course Contributors: Rick Pottruff; Mark Thurman, Brian Hladin

 
 
Section II: Course Details

Detailed Description
This course is designed to provide students with opportunities to integrate a comprehensive and detailed knowledge of musculature and its function into the drawing of dynamic form. It introduces students to the figure in the context of the environment using principles of linear perspective. Topics include in-depth analysis of musculature, kinesiology, comparative anatomy, animal anatomy and multiple figures in the environment. These are examined through interactive lecture, discussion, demonstration, field study and studio work.

Program Context

 
Bachelor of Animation Program Coordinator: Mark Mayerson
This course is part of the core component of the second year of the Bachelor of Applied Arts (Animation) Program. It is the third in a series of eight Life Drawing courses whose development reflects comprehensive and thoughtful scope, content analysis, and sequence in the delivery within the Life Drawing stream. In addition, it reflects continuity, integration and balance through the other streams at an intermediate level and reflects the complexity and logic of the design of the BAA (Animation) Program. It prepares students for the remaining courses within the stream and for building connections to storytelling, character, animation and performance to courses in other streams within the program.


Course Critical Performance and Learning Outcomes

 
 Critical Performance
By the end of the course, students will have demonstrated the ability
to incorporate comprehensive and detailed knowledge of musculature and
the function of muscles into the drawing of dynamic form.

Learning Outcomes
To achieve the Critical Performance, students will have demonstrated
the ability to:

1. Complete drawings using linear perspective that reflect an
   understanding of the relationship of the figure to its environment.

2. Discuss the fundamentals of kinesiology (anatomy of movement).

3. Create drawings that incorporate multiple figures in the
   environment using linear perspective.

4. Incorporate knowledge of the full anatomy of the neck and head into
   facial expressions to inform the development of character in 
   animation.

5. Compare and contrast the anatomy of different animals.

6. Compare the anatomy of select animals to the anatomy of the human
   figure.

7. Create skeletal animal drawings as a comparison to the human
   skeletal form.

8. Explain the anatomy of movement as it relates to animals.

9. Complete drawn walk cycles that reflect an understanding of the
   interrelationship of specific muscles and how they aid locomotion
   within the animation process.

10. Create direct observational drawings of animals that integrate the
    principles of line, technique, anatomy, movement and economy of
    expression.

Evaluation Plan
Students demonstrate their learning in the following ways:

 
Students demonstrate their learning in the following ways:

Students demonstrate their learning in the following ways:

Assignment #1:  Test (Drawing for structure/skeleton/character)   5%
Assignment #2:  In-class activity (Torso Anatomy)  3%
Assignment #3:  Animal structure drawing (Skeleton)  7%
Assignment #4:  Animal Drawing  7%
Assignment #5:  In-class activity (Head and neck anatomy)  3%
Assignment #6:  Leg anatomy drawing  7%
Assignment #7:  Animal drawing  7%
Assignment #8:  Perspective/Multiple figures drawing  15%
Assignment #9:  In-class activity (arm anatomy)  3%

NOTE:  TOTAL FOR ABOVE ASSIGNMENTS:  60%
Assignment #10: Final Portfolio      40%

                        
Late Policy for all courses in the program: 

All assignments are due within the first 15 minutes after the start 
of class on the due date. Late projects, submitted after the first 15 
minutes of the start of class will receive a 20% grade reduction. 
Late projects submitted the following week will receive a 30% grade 
reduction. There will be no submission of work after the last day of 
semester unless arrangements have been made and documented by the 
professor.

Work that is more than one week late will not be graded unless a 
prior arrangement has been made with the professor; the arrangement 
must be documented on email or a memo, with the new due date 
identified. There will be no resubmission of work unless, under 
exceptional circumstances, this has been agreed to or suggested by 
the professor.  Again, a hard copy of the agreement is necessary.

If there is a valid reason for the late project, the student must 
email the professor at least 3 days before the due date.  If the 
reason is deemed to be valid, there will be no late penalty.  A new 
due date with be set by the instructor.

The basic late policy as laid out above will be followed, except in 
the instance that an instructor requires a variation in policy. That 
variation will be provided to the student in writing as part of the 
actual assignment, which will be handed out by the instructor.
Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:

 

Essential Employability Skills
Essential Employability Skills emphasized in the course:

  Communication   Critical Thinking & Problem Solving   Interpersonal
  Numeracy   Information Management   Personal

Notes: N/A

Prior Learning Assessment and Recognition
PLAR Contact: Angela Stukator

Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous life and work experiences. This course is eligible for challenge through the following method(s):

Challenge Exam Portfolio Interview Other Not Eligible for PLAR
  X X    

Notes: Both are required.

 
 
Section III: Topical Outline
Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Fall 2014
Professor: Multiple Professors
Textbook(s):
Textbook(s): N/A

Applicable student group(s): Bachelor of Applied Arts (Animation)
Course Details:
Instructors: Brian Hladin and Klaas Hart

Week 1:
Introduction/Objectives/Outline/Gesture

Week 2:
Gesture/Skeletal review and landmarks/lower torso and pelvic musculature.

Week 3:
Ribcage and shoulder anatomy/Arm movements/joints review

Week 4:
Comparative anatomy/drawing of animal skeletons

Week 5:
Field study animal drawing/comparative anatomy

Week 6:
Head and neck musculature and structure/facial muscles

Week 7:
Facial expression/mid-term critiques

Week 8:
Leg and foot anatomy with structure

Week 9:
The figure in the context of the environment/walk cycles/Perspective
set-up for week 11

Week 10:
Field study animal drawing at the Royal Agricultural Winter Fair

Week 11:
Drawing multiple figures in the environment/perspective

Week 12:
Arm anatomy and structure

Week 13:
Hand anatomy and structure

Week 14:
Open studio and end of term critiques


Academic Honesty
The principle of academic honesty requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the faculty member, or otherwise submitting work that is not the student's own violates this principle and will not be tolerated. Instances of academic dishonesty, including assisting another student to cheat, will be penalized as detailed in the Student Handbook.

Students who have any questions regarding whether or not specific circumstances involve a breach of academic honesty are advised to discuss them with the faculty member prior to submitting the assignment in question.

Discrimination and Harassment
Sheridan is committed to provide a learning environment that respects the dignity, self esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination are available in the Student Handbook.
 
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