CULT10025G
The Culture of Photography
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  I: Administrative Information   II: Course Details   III: Topical Outline(s)  Printable Version
 
Section I: Administrative Information
  Total hours: 42.0
Credit Value: 3.0
Credit Value Notes: N/A
Effective: Fall 2008
Prerequisites: N/A
Corequisites: N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A

Program(s): Cross College Courses
Program Coordinator(s): Jo-Ann Brodey
Course Leader or Contact: Joachim Oepkes
Version:
4.0
Status: Approved - Under Rev (AREV)

Section I Notes: N/A

 
 
Section II: Course Details

Detailed Description
In this course students develop and gain an artistic understanding and appreciation of the culture of photography. Students focus on the evolution and history of the medium with special emphasis on the creative aspects of photography. Students learn the fundamental visual elements of photography and interpret a variety of visual representations and documentary photography. Through interactive lectures, discussion, image projections, websites, films, gallery visitations, and hands-on projects, students develop a sense of aesthetic appreciation of photography. Students demonstrate their learning by designing and creating three image production projects.

Program Context

 
Cross College Courses Program Coordinator: Jo-Ann Brodey
This course is part of the General Education curriculum which is designed to contribute to the development of the students' consciousness of the diversity, complexity, and richness of the human experience; their ability to establish meaning through this consciousness; and, as a result, their ability to contribute thoughtfully, creatively, and positively to the society in which they live and work. General Education courses strengthen students' generic skills, such as critical analysis, problem solving, and communication, in the context of an exploration of topics with broad-based personal and/or societal importance.


Course Critical Performance and Learning Outcomes

 
 Critical Performance

By the end of this course, students will have demonstrated the 
ability to interpret visual images in a variety of representations. 


Learning Outcomes

To achieve the critical performance, students will have demonstrated 
the ability to:

1.  Compare different styles of artistic photography.
2.  Analyse the fundamental visual elements of photography.
3.  Discuss the evolution and history of the medium with special  
    emphasis on the creative aspects of photography.
4.  Examine special topics and themes related to technological  
    changes within the culture of photography.
5.  Interpret a variety of visual representations and types of  
    photographic expressions.
6.  Create personal photo-based image-making projects.

Evaluation Plan
Students demonstrate their learning in the following ways:

 
Students demonstrate their learning in the following ways:

Students demonstrate their learning in the following ways:

Image productin projects (3 @ 20%)                 = 60%
  -Photo Response Presentation and exhibition (20%)
  -Photo Essay Presentation and exhibition (20%)
  -Self-Image Presentation and exhibition (20%)

Special written assignments (2 @ 20%)              = 40%
  -Research Paper on a Photographer (20%)
  -Written Response on a Gallery Visitation (20%)

Total                                              =100%


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TEST AND ASSIGNMENT PROTOCOL  
 
To encourage behaviours that will help students to be successful in 
the workplace and to ensure that students receive credit for their 
individual work, the following rules apply to every course offered 
within the School of Community and Liberal Studies.  
            
1. The professor will specify in writing test dates and times and
   due dates and any special instructions for submitting assignments 
   and projects. 
2. Students must write all tests at the specified times. Missed 
   tests, in-class activities, assignments and presentations are 
   awarded a mark of zero.  If an extension or make-up opportunity is 
   approved by the professor as outlined below, the mark of zero may 
   be revised by subsequent performance.  The penalty for late 
   submission of written assignments is a loss of 10% per day for up 
   to five business days (excluding weekends and statutory holidays), 
   after which, a grade of zero is assigned. Business days include 
   any day that the college is open for business, whether the student 
   has scheduled classes that day or not.  
3. Students, who miss a test or in-class activity or assignment or 
   fail to submit an assignment on time due to exceptional 
   circumstances, are required to notify their professor in advance 
   of the class whenever possible.  A make-up test may be supplied 
   for students who provide an acceptable explanation of their 
   absence and/or acceptable documentation explaining their absence 
   (e.g., a medical certificate). All make-up tests are to be written 
   at a time and place specified by the professor upon the student¿s 
   return. Alternately, students may be given an opportunity to earn 
   the associated marks by having a subsequent test count for the 
   additional marks. Similarly, exceptional circumstances may result 
   in a modification of due dates for assignments.
4. Unless otherwise specified, assignments and projects must be 
   submitted at the beginning of class. 
5. Students must complete every assignment as an individual effort  
   unless the professor specifies otherwise.
6. Since there may be instances of grade appeal or questions 
   regarding the timely completion of assignments and/or extent of 
   individual effort, etc., students are strongly advised to keep, 
   and make available to their professor, if requested, a copy of all 
   assignments and working notes until the course grade has been 
   finalized.  
7. There will be no resubmission of work unless this has been 
   previously agreed to or suggested by the professor. 
8. Students must submit all assignments in courses with practical lab 
   and field components in order to pass the course.
Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:

 

Essential Employability Skills
Essential Employability Skills emphasized in the course:

X Communication X Critical Thinking & Problem Solving X Interpersonal
  Numeracy   Information Management X Personal

Notes: N/A

General Education
This General Education course relates to the following themes as specified by the Ministry of Training, Colleges and Universities.

X Arts In Society   Civic Life
  Social and Cultural Understanding   Science and Technology
  Personal Understanding    

Prior Learning Assessment and Recognition
PLAR Contact (if course is PLAR-eligible) : Office of the Registrar

Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous relevant work/life experience, service, self-study and training on the job. This course is eligible for challenge through the following method(s):

Challenge Exam Portfolio Interview Other Not Eligible for PLAR
  X X    

Notes:  N/A

 
 
Section III: Topical Outline
Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Fall 2008
Professor: Multiple Professors
Textbook(s):
A reading list will be provided in the first week of class

Applicable student group(s): General Education
Course Details:
______________________________________________________________________
Week One: 
The fundamentals of visual representation 
The desire for picture-making systems 
The earliest images, in caves 
The Renaissance and perspective 
Camera vision


______________________________________________________________________
Week Two: 
Proto-photographers and the chemical action of light
The struggle for permanence
Artists substituting mechanical work for human labour


______________________________________________________________________
Week Three: 
Modernity: New Visual Realities
Ruptures in the societal frame-work allowing the camera to be recast
Cubism, High and Low Art, Futurism
"How to read a photograph"


______________________________________________________________________
Week  Four: 
Visualizing Time and Space 
Twentieth Century technical breakthroughs
The snapshot
Moving pictures
Colour

Assignment: First special written assignment due - 20%


______________________________________________________________________
Week Five: 
The concept of  'Straight Photography' 
Immogene Cunningham, Ansel Adams, Edward Weston
Distilling Form - Paul Strand


______________________________________________________________________
Week Six:   
Dada and Surrealism: Man Ray; Laszlo Maholy-Nagy
Photomontage and Collage: Hannah Hoch; John Heartfield
Abstractions: Alfred Stieglitz's 'Equivalents'


______________________________________________________________________
Week Seven: 
Assignment: Student first image production project -presentations and 
exhibition- due (20%)


______________________________________________________________________
Week Eight:
Photographing the Human Condition - August Sander
Social Documents - Jacob Riis; Lewis Hine


______________________________________________________________________
Week Nine: 
The Great Depression and Documentary Photography
Dorothea Lang; Walker Evans; Margaret Bourke-White


______________________________________________________________________
Week Ten:  
The Photo Essay - Second student image production presentation and 
exhibition 
                                                                      
                             
Assignment: Second image production project: The Photo Essay due (20%)


______________________________________________________________________
Week Eleven: 
Gallery Visitation


______________________________________________________________________
Week Twelve:
Capturing the Moment: the artworks of Henri Cartier Bresson, Andre 
Kertesz, Bill Brandt, Robert Frank. 

Second special written assignment due - 20%


______________________________________________________________________
Week Thirteen:
Self Portrait and Identity
                                    

______________________________________________________________________
Week Fourteen:
Third student image production presentation and exhibition

Assignment: Third image production project: Imaging the self due (20%)


Sheridan Policies

All Sheridan policies can be viewed on the Sheridan policy website.

Academic Integrity: The principle of academic integrity requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the professor, or otherwise submitting work that is not the student's own, violates this principle and will not be tolerated. Students who have any questions regarding whether or not specific circumstances involve a breach of academic integrity are advised to review the Academic Integrity Policy and procedure and/or discuss them with the professor.

Copyright: A majority of the course lectures and materials provided in class and posted in SLATE are protected by copyright. Use of these materials must comply with the Acceptable Use Policy, Use of Copyright Protected Work Policy and Student Code of Conduct. Students may use, copy and share these materials for learning and/or research purposes provided that the use complies with fair dealing or an exception in the Copyright Act. Permission from the rights holder would be necessary otherwise. Please note that it is prohibited to reproduce and/or post a work that is not your own on third-party commercial websites including but not limited to Course Hero or OneNote. It is also prohibited to reproduce and/or post a work that is not your own or your own work with the intent to assist others in cheating on third-party commercial websites including but not limited to Course Hero or OneNote.

Intellectual Property: Sheridan's Intellectual Property Policy generally applies such that students own their own work. Please be advised that students working with external research and/or industry collaborators may be asked to sign agreements that waive or modify their IP rights. Please refer to Sheridan's IP Policy and Procedure.

Respectful Behaviour: Sheridan is committed to provide a learning environment that supports academic achievement by respecting the dignity, self-esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination, Academic Integrity and other academic policies are available on the Sheridan policy website.

Accessible Learning: Accessible Learning coordinates academic accommodations for students with disabilities. For more information or to register, please see the Accessible Learning website (Statement added September 2016)

Course Outline Changes: The information contained in this Course Outline including but not limited to faculty and program information and course description is subject to change without notice. Any changes to course curriculum and/or assessment shall adhere to approved Sheridan protocol. Nothing in this Course Outline should be viewed as a representation, offer and/or warranty. Students are responsible for reading the Important Notice and Disclaimer which applies to Programs and Courses.


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