Detailed Description
In this course students develop and gain an artistic understanding
and appreciation of the culture of photography. Students focus on the
evolution and history of the medium with special emphasis on the
creative aspects of photography. Students learn the fundamental
visual elements of photography and interpret a variety of visual
representations and documentary photography. Through interactive
lectures, discussion, image projections, websites, films, gallery
visitations, and hands-on projects, students develop a sense of
aesthetic appreciation of photography. Students demonstrate their
learning by designing and creating three image production projects.
Program Context
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Cross College Courses |
Program Coordinator: Jo-Ann Brodey |
This course is part of the
General Education curriculum
which is designed to
contribute to the development
of the students'
consciousness of the
diversity, complexity, and
richness of the human
experience; their ability to
establish meaning through
this consciousness; and, as a
result, their ability to
contribute thoughtfully,
creatively, and positively to
the society in which they
live and work. General
Education courses strengthen
students' generic skills,
such as critical analysis,
problem solving, and
communication, in the context
of an exploration of topics
with broad-based personal
and/or societal importance.
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Course Critical Performance and Learning Outcomes
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Critical Performance
By the end of this course, students will have demonstrated the
ability to interpret visual images in a variety of representations.
Learning Outcomes
To achieve the critical performance, students will have demonstrated
the ability to:
1. Compare different styles of artistic photography.
2. Analyse the fundamental visual elements of photography.
3. Discuss the evolution and history of the medium with special
emphasis on the creative aspects of photography.
4. Examine special topics and themes related to technological
changes within the culture of photography.
5. Interpret a variety of visual representations and types of
photographic expressions.
6. Create personal photo-based image-making projects.
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Evaluation Plan
Students demonstrate their learning in the following ways:
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Students demonstrate their learning in the following ways:
Students demonstrate their learning in the following ways:
Image productin projects (3 @ 20%) = 60%
-Photo Response Presentation and exhibition (20%)
-Photo Essay Presentation and exhibition (20%)
-Self-Image Presentation and exhibition (20%)
Special written assignments (2 @ 20%) = 40%
-Research Paper on a Photographer (20%)
-Written Response on a Gallery Visitation (20%)
Total =100%
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TEST AND ASSIGNMENT PROTOCOL
To encourage behaviours that will help students to be successful in
the workplace and to ensure that students receive credit for their
individual work, the following rules apply to every course offered
within the School of Community and Liberal Studies.
1. The professor will specify in writing test dates and times and
due dates and any special instructions for submitting assignments
and projects.
2. Students must write all tests at the specified times. Missed
tests, in-class activities, assignments and presentations are
awarded a mark of zero. If an extension or make-up opportunity is
approved by the professor as outlined below, the mark of zero may
be revised by subsequent performance. The penalty for late
submission of written assignments is a loss of 10% per day for up
to five business days (excluding weekends and statutory holidays),
after which, a grade of zero is assigned. Business days include
any day that the college is open for business, whether the student
has scheduled classes that day or not.
3. Students, who miss a test or in-class activity or assignment or
fail to submit an assignment on time due to exceptional
circumstances, are required to notify their professor in advance
of the class whenever possible. A make-up test may be supplied
for students who provide an acceptable explanation of their
absence and/or acceptable documentation explaining their absence
(e.g., a medical certificate). All make-up tests are to be written
at a time and place specified by the professor upon the student¿s
return. Alternately, students may be given an opportunity to earn
the associated marks by having a subsequent test count for the
additional marks. Similarly, exceptional circumstances may result
in a modification of due dates for assignments.
4. Unless otherwise specified, assignments and projects must be
submitted at the beginning of class.
5. Students must complete every assignment as an individual effort
unless the professor specifies otherwise.
6. Since there may be instances of grade appeal or questions
regarding the timely completion of assignments and/or extent of
individual effort, etc., students are strongly advised to keep,
and make available to their professor, if requested, a copy of all
assignments and working notes until the course grade has been
finalized.
7. There will be no resubmission of work unless this has been
previously agreed to or suggested by the professor.
8. Students must submit all assignments in courses with practical lab
and field components in order to pass the course.
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Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:
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Essential Employability
Skills
Essential Employability Skills emphasized in the course:
X
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Communication
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X
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Critical Thinking & Problem Solving
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X
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Interpersonal
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Numeracy |
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Information
Management |
X
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Personal
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Notes: N/A
General Education
This General Education course relates to the following themes as specified by the Ministry of Training, Colleges and Universities.
X
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Arts In Society
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Civic Life
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Social and Cultural Understanding
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Science and Technology
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Personal
Understanding |
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Prior Learning Assessment and Recognition
PLAR Contact (if course is PLAR-eligible) : Office of the Registrar
Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous relevant work/life experience, service, self-study and training on the job. This course is eligible for challenge through the following method(s):
Challenge Exam |
Portfolio |
Interview |
Other |
Not Eligible for PLAR |
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X |
X |
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Notes: N/A
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Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Fall 2008
Professor: Multiple Professors
Textbook(s): A reading list will be provided in the first week of class
Applicable student group(s): General Education
Course Details:______________________________________________________________________
Week One:
The fundamentals of visual representation
The desire for picture-making systems
The earliest images, in caves
The Renaissance and perspective
Camera vision
______________________________________________________________________
Week Two:
Proto-photographers and the chemical action of light
The struggle for permanence
Artists substituting mechanical work for human labour
______________________________________________________________________
Week Three:
Modernity: New Visual Realities
Ruptures in the societal frame-work allowing the camera to be recast
Cubism, High and Low Art, Futurism
"How to read a photograph"
______________________________________________________________________
Week Four:
Visualizing Time and Space
Twentieth Century technical breakthroughs
The snapshot
Moving pictures
Colour
Assignment: First special written assignment due - 20%
______________________________________________________________________
Week Five:
The concept of 'Straight Photography'
Immogene Cunningham, Ansel Adams, Edward Weston
Distilling Form - Paul Strand
______________________________________________________________________
Week Six:
Dada and Surrealism: Man Ray; Laszlo Maholy-Nagy
Photomontage and Collage: Hannah Hoch; John Heartfield
Abstractions: Alfred Stieglitz's 'Equivalents'
______________________________________________________________________
Week Seven:
Assignment: Student first image production project -presentations and
exhibition- due (20%)
______________________________________________________________________
Week Eight:
Photographing the Human Condition - August Sander
Social Documents - Jacob Riis; Lewis Hine
______________________________________________________________________
Week Nine:
The Great Depression and Documentary Photography
Dorothea Lang; Walker Evans; Margaret Bourke-White
______________________________________________________________________
Week Ten:
The Photo Essay - Second student image production presentation and
exhibition
Assignment: Second image production project: The Photo Essay due (20%)
______________________________________________________________________
Week Eleven:
Gallery Visitation
______________________________________________________________________
Week Twelve:
Capturing the Moment: the artworks of Henri Cartier Bresson, Andre
Kertesz, Bill Brandt, Robert Frank.
Second special written assignment due - 20%
______________________________________________________________________
Week Thirteen:
Self Portrait and Identity
______________________________________________________________________
Week Fourteen:
Third student image production presentation and exhibition
Assignment: Third image production project: Imaging the self due (20%)
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Sheridan Policies
All Sheridan policies can be viewed on the Sheridan policy website.
Academic Integrity: The principle of academic integrity requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the professor, or otherwise submitting work that is not the student's own, violates this principle and will not be tolerated. Students who have any questions regarding whether or not specific circumstances involve a breach of academic integrity are advised to review the Academic Integrity Policy and procedure and/or discuss them with the professor.
Copyright: A majority of the course lectures and materials provided in class and posted in SLATE are protected by copyright. Use of these materials must comply with the Acceptable Use Policy, Use of Copyright Protected Work Policy and Student Code of Conduct. Students may use, copy and share these materials for learning and/or research purposes provided that the use complies with fair dealing or an exception in the Copyright Act. Permission from the rights holder would be necessary otherwise. Please note that it is prohibited to reproduce and/or post a work that is not your own on third-party commercial websites including but not limited to Course Hero or OneNote. It is also prohibited to reproduce and/or post a work that is not your own or your own work with the intent to assist others in cheating on third-party commercial websites including but not limited to Course Hero or OneNote.
Intellectual Property: Sheridan's Intellectual Property Policy generally applies such that students own their own work. Please be advised that students working with external research and/or industry collaborators may be asked to sign agreements that waive or modify their IP rights. Please refer to Sheridan's IP Policy and Procedure.
Respectful Behaviour: Sheridan is committed to provide a learning environment that supports academic achievement by respecting the dignity, self-esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination, Academic Integrity and other academic policies are available on the Sheridan policy website.
Accessible Learning: Accessible Learning coordinates academic accommodations for students with disabilities. For more information or to register, please see the Accessible Learning website (Statement added September 2016)
Course Outline Changes: The information contained in this Course Outline including but not limited to faculty and program information and course description is subject to change without notice. Any changes to course curriculum and/or assessment shall adhere to approved Sheridan protocol. Nothing in this Course Outline should be viewed as a representation, offer and/or warranty. Students are responsible for reading the Important Notice and Disclaimer which applies to Programs and Courses.
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