ANIM13672
Introduction to Dynamic Anatomy
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  I: Administrative Information   II: Course Details   III: Topical Outline(s)  Printable Version
 
Section I: Administrative Information
  Total hours: 42.0
Credit Value: 3.0
Credit Value Notes: N/A
Effective: Winter 2013
Prerequisites: (ANIM10102)
Corequisites: N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A

Program(s): Bachelor of Animation
Program Coordinator(s): Mark Mayerson
Course Leader or Contact: Tim Mccormack
Version:
11.01
Status: Approved (APPR)

Section I Notes: Course Contributor: Rick Pottruff, Mark Thurman, Brian Hladin

 
 
Section II: Course Details

Detailed Description
This course is designed to introduce students to the dynamic nature of drawing. It incorporates the principles of observational drawing covered in Semester 1, and their application to drawn human and animalform. Specific material on the musculature of the human body is introduced and incorporated into a variety of assignments. Emphasis is placed on creating drawings that are lyrical, proportioned and volumetric. Through a series of interactive lectures, discussions, demonstrations, field study and studio assignments, students increase their understanding of the relationship between drawing skills and effective drawing, and creating animated characters within a storytelling context.

Program Context

 
Bachelor of Animation Program Coordinator: Mark Mayerson
This course is part of the core component of the first year of the Bachelor of Applied Arts (Animation) Program. It is the second in a series of eight Life Drawing courses whose development reflects comprehensive and thoughtful scope, content analysis, and sequence in the delivery within the Life Drawing stream. In addition, it reflects continuity, integration and balance through the other streams at an introductory level and reflects the complexity and logic of the design of the BAA (Animation) Program. It prepares students for the remaining courses within the stream and for building connections to storytelling, character, animation and performance within courses in other streams of the program.


Course Critical Performance and Learning Outcomes

 
 Critical Performance
By the end of the course, students will have demonstrated the ability
to draw the dynamic human and animal form with a clear understanding
of structure.

Learning Outcomes
1. Identify the 65 parts of the human skeleton.

2. Generate a series of drawings that accurately reflect the human
   skeleton from different angles.

3. Draw the major muscle groups from a variety of angles.

4. Discuss volume as it relates to human form.

5. Create a notebook/sketchbook of figures and figurative process.

6. Make informed decisions to modify sketches in order to simplify and
   develop economy of line.

7. Complete gesture drawings to express volume, form, musculature and
   structure.

8. Incorporate language specific to movement of joints in discussions
   and assignments.

9. Draw with increasingly expressive line weight.

10. Capture the human and animal form effectively using observational 
    drawing skills.

11. Explain the relationship between time and the fundamental elements
    of life drawing.

12. Discuss the characteristics and techniques of visual literacy.

13. Create drawings that reflect figurative rhythmic, structural and 
    proportional aspects of the human form.

14. Analyze observational drawings of animals and humans to enhance 
    visual literacy.

15. Work independently and professionally, respecting the material and
    feedback of others while valuing one`s own development and 
    drawing.

Evaluation Plan
Students demonstrate their learning in the following ways:

 
Test (Week 2)                20%
Portfolio #1 (Week 7)        20%
Portfolio #2 (Week 12)       30%
In-class activities          25%      
Zoo Drawings                  5%
Total                       100%                 

Late Policy:

Late Policy for all courses in the program: All assignments are due
within the first 15 minutes after the start of class on the due date.
Late projects, submitted after the first 15 minutes of the start of
class will receive a 20% grade reduction. Late projects submitted the
following week will receive a 30% grade reduction. There will be no
submission of work after the last day of semester unless arrangements
have been made and documented by the professor. Work that is more than
one week late will not be graded unless a prior arrangement has been
made with the professor; the arrangement must be documented on email
or a memo, with the new due date identified. There will be no
resubmission of work unless, under exceptional circumstances, this has
been agreed to or suggested by the professor. Again, a hard copy of
the agreement is necessary. If there is a valid reason for the late
project, the student must email the professor at least 3 days before
the due date. If the reason is deemed to be valid, there will be no
late penalty. A new due date with be set by the instructor. The basic
late policy as laid out above will be followed, except in the instance
that an instructor requires a variation in policy. That variation will
be provided to the student in writing as part of the actual
assignment, which will be handed out by the instructor.
Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:

 

Essential Employability Skills
Essential Employability Skills emphasized in the course:

  Communication   Critical Thinking & Problem Solving   Interpersonal
  Numeracy   Information Management   Personal

Notes: N/A

Prior Learning Assessment and Recognition
PLAR Contact (if course is PLAR-eligible) : Office of the Registrar

Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous relevant work/life experience, service, self-study and training on the job. This course is eligible for challenge through the following method(s):

Challenge Exam Portfolio Interview Other Not Eligible for PLAR
  X X    

Notes:  Both are required.

 
 
Section III: Topical Outline
Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Winter 2013
Professor: Multiple Professors
Textbook(s):
Textbook(s): Peck, Stephen Rogers. (1982) Atlas of Human Anatomy for
the Artist, Oxford University Press: Oxford 
(ISBN 0-19-503095-8)

Additional Suggested Readings

Materials required: Conte, charcoal, graphite, markers, kneadable
eraser, a variety of inexpensive paper, newsprint in large quantities

Applicable student group(s): Bachelor of Applied Arts (Animation)
Course Details:
Instructors:  Mark Thurman and Klaas Hart

Description: 

It is absolutely necessary for animators to have a thorough
understanding of the nature of movement, as well as the ability to
create a convincing sequence of related movements. With this in mind,
a portion of every class will be devoted to refining gesture drawing
through exercises, progressing from 30-second to one-minute gestures
as well as memory and visualization gestures.

Contour, shape, proportion, weight, mass and volume will be studied
through a series of interactive lectures and drawing exercises.
Specific topics covered include blind contour, straight and curved
line, silhouette line, and cross contour. Mass and modeled drawing
exercises assist students in their understanding of volume as it
relates to drawing.

This second semester will be spent on an introductory study of human
musculature as well as an introductory study of animal anatomy, with
specific emphasis on joint articulation for the purpose of informing
believable gesture

WEEK 1 	Review of the human skeleton and major joints
	Basic Joint Movement Terminology
        Introduction to the muscles of the upper torso, front and back

WEEK 2	Bone Test
		
WEEK 3	The Arm and the Shoulder
	Relationship to the Torso
	Main Muscle Groups
		
WEEK 4	The Leg and Buttock
	Relationship to the Torso
	Main Muscle Groups
		
WEEK 5	Muscles of the Complete Torso
	Mass, volume, movement, form and function

WEEK 6	Muscles of the Hand and Foot 
		
WEEK 7	Mid-term evaluation and critique
	PORTFOLIO #1 DUE

WEEK 8	Introduction to the Walk Cycle (in consultation with Animation
        Stream)
	Leg movement
	Muscles of the hip, knee, ankle, toe

WEEK 9	Field Study to the Zoo
	Animal Drawings

WEEK 10	Muscles of the Head, Neck and Face
	Neck insertion, head rotation

WEEK 11	Facial muscles and features, facial triangle
		
WEEK 12	Review of Human Anatomy
	PORTFOLIO #2 DUE

WEEK 13	Assessments and portfolio critiques	

WEEK 14	End of year critiquing


Sheridan Policies

All Sheridan policies can be viewed on the Sheridan policy website.

Academic Integrity: The principle of academic integrity requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the professor, or otherwise submitting work that is not the student's own, violates this principle and will not be tolerated. Students who have any questions regarding whether or not specific circumstances involve a breach of academic integrity are advised to review the Academic Integrity Policy and procedure and/or discuss them with the professor.

Copyright: A majority of the course lectures and materials provided in class and posted in SLATE are protected by copyright. Use of these materials must comply with the Acceptable Use Policy, Use of Copyright Protected Work Policy and Student Code of Conduct. Students may use, copy and share these materials for learning and/or research purposes provided that the use complies with fair dealing or an exception in the Copyright Act. Permission from the rights holder would be necessary otherwise. Please note that it is prohibited to reproduce and/or post a work that is not your own on third-party commercial websites including but not limited to Course Hero or OneNote. It is also prohibited to reproduce and/or post a work that is not your own or your own work with the intent to assist others in cheating on third-party commercial websites including but not limited to Course Hero or OneNote.

Intellectual Property: Sheridan's Intellectual Property Policy generally applies such that students own their own work. Please be advised that students working with external research and/or industry collaborators may be asked to sign agreements that waive or modify their IP rights. Please refer to Sheridan's IP Policy and Procedure.

Respectful Behaviour: Sheridan is committed to provide a learning environment that supports academic achievement by respecting the dignity, self-esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination, Academic Integrity and other academic policies are available on the Sheridan policy website.

Accessible Learning: Accessible Learning coordinates academic accommodations for students with disabilities. For more information or to register, please see the Accessible Learning website (Statement added September 2016)

Course Outline Changes: The information contained in this Course Outline including but not limited to faculty and program information and course description is subject to change without notice. Any changes to course curriculum and/or assessment shall adhere to approved Sheridan protocol. Nothing in this Course Outline should be viewed as a representation, offer and/or warranty. Students are responsible for reading the Important Notice and Disclaimer which applies to Programs and Courses.


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