ANIM13672
Introduction to Dynamic Anatomy |
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I: Administrative Information II: Course Details
III: Topical Outline(s) Printable Version |
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Section I: Administrative Information
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Total hours: 42.0
Credit Value: 3.0
Credit Value Notes: N/A
Effective: Winter 2013
Prerequisites:
(ANIM10102)
Corequisites:
N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A |
Program(s):
Bachelor of Animation
Program Coordinator(s):
Mark Mayerson
Course Leader or Contact: Tim Mccormack
Version: 11.01
Status: Approved (APPR)
Section I Notes:
Course Contributor: Rick Pottruff, Mark Thurman, Brian Hladin
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Section II: Course Details
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Detailed Description
This course is designed to introduce students to the dynamic nature
of drawing. It incorporates the principles of observational drawing
covered in Semester 1, and their application to drawn human and
animalform. Specific material on the musculature of the human body is
introduced and incorporated into a variety of assignments. Emphasis
is placed on creating drawings that are lyrical, proportioned and
volumetric. Through a series of interactive lectures, discussions,
demonstrations, field study and studio assignments, students increase
their understanding of the relationship between drawing skills and
effective drawing, and creating animated characters within a
storytelling context.
Program Context
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Bachelor of Animation |
Program Coordinator: Mark Mayerson |
This course is part of the
core component of the first
year of the Bachelor of
Applied Arts (Animation)
Program. It is the second in
a
series of eight Life Drawing
courses whose development
reflects comprehensive and
thoughtful scope, content
analysis, and sequence in the
delivery within the Life
Drawing stream. In addition,
it reflects continuity,
integration and balance
through the other streams at
an introductory level and
reflects the complexity and
logic of the design of the
BAA
(Animation) Program. It
prepares students for the
remaining courses within the
stream and for building
connections to storytelling,
character, animation and
performance within courses in
other streams of the program.
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Course Critical Performance and Learning Outcomes
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Critical Performance
By the end of the course, students will have demonstrated the ability
to draw the dynamic human and animal form with a clear understanding
of structure.
Learning Outcomes
1. Identify the 65 parts of the human skeleton.
2. Generate a series of drawings that accurately reflect the human
skeleton from different angles.
3. Draw the major muscle groups from a variety of angles.
4. Discuss volume as it relates to human form.
5. Create a notebook/sketchbook of figures and figurative process.
6. Make informed decisions to modify sketches in order to simplify and
develop economy of line.
7. Complete gesture drawings to express volume, form, musculature and
structure.
8. Incorporate language specific to movement of joints in discussions
and assignments.
9. Draw with increasingly expressive line weight.
10. Capture the human and animal form effectively using observational
drawing skills.
11. Explain the relationship between time and the fundamental elements
of life drawing.
12. Discuss the characteristics and techniques of visual literacy.
13. Create drawings that reflect figurative rhythmic, structural and
proportional aspects of the human form.
14. Analyze observational drawings of animals and humans to enhance
visual literacy.
15. Work independently and professionally, respecting the material and
feedback of others while valuing one`s own development and
drawing.
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Evaluation Plan
Students demonstrate their learning in the following ways:
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Test (Week 2) 20%
Portfolio #1 (Week 7) 20%
Portfolio #2 (Week 12) 30%
In-class activities 25%
Zoo Drawings 5%
Total 100%
Late Policy:
Late Policy for all courses in the program: All assignments are due
within the first 15 minutes after the start of class on the due date.
Late projects, submitted after the first 15 minutes of the start of
class will receive a 20% grade reduction. Late projects submitted the
following week will receive a 30% grade reduction. There will be no
submission of work after the last day of semester unless arrangements
have been made and documented by the professor. Work that is more than
one week late will not be graded unless a prior arrangement has been
made with the professor; the arrangement must be documented on email
or a memo, with the new due date identified. There will be no
resubmission of work unless, under exceptional circumstances, this has
been agreed to or suggested by the professor. Again, a hard copy of
the agreement is necessary. If there is a valid reason for the late
project, the student must email the professor at least 3 days before
the due date. If the reason is deemed to be valid, there will be no
late penalty. A new due date with be set by the instructor. The basic
late policy as laid out above will be followed, except in the instance
that an instructor requires a variation in policy. That variation will
be provided to the student in writing as part of the actual
assignment, which will be handed out by the instructor.
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Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:
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Essential Employability
Skills
Essential Employability Skills emphasized in the course:
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Communication
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Critical Thinking & Problem Solving
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Interpersonal
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Numeracy |
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Information
Management |
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Personal
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Notes: N/A
Prior Learning Assessment and Recognition
PLAR Contact (if course is PLAR-eligible) : Office of the Registrar
Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous relevant work/life experience, service, self-study and training on the job. This course is eligible for challenge through the following method(s):
Challenge Exam |
Portfolio |
Interview |
Other |
Not Eligible for PLAR |
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X |
X |
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Notes: Both are required.
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Section III: Topical Outline
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Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Winter 2013
Professor: Multiple Professors
Textbook(s): Textbook(s): Peck, Stephen Rogers. (1982) Atlas of Human Anatomy for
the Artist, Oxford University Press: Oxford
(ISBN 0-19-503095-8)
Additional Suggested Readings
Materials required: Conte, charcoal, graphite, markers, kneadable
eraser, a variety of inexpensive paper, newsprint in large quantities
Applicable student group(s): Bachelor of Applied Arts (Animation)
Course Details:Instructors: Mark Thurman and Klaas Hart
Description:
It is absolutely necessary for animators to have a thorough
understanding of the nature of movement, as well as the ability to
create a convincing sequence of related movements. With this in mind,
a portion of every class will be devoted to refining gesture drawing
through exercises, progressing from 30-second to one-minute gestures
as well as memory and visualization gestures.
Contour, shape, proportion, weight, mass and volume will be studied
through a series of interactive lectures and drawing exercises.
Specific topics covered include blind contour, straight and curved
line, silhouette line, and cross contour. Mass and modeled drawing
exercises assist students in their understanding of volume as it
relates to drawing.
This second semester will be spent on an introductory study of human
musculature as well as an introductory study of animal anatomy, with
specific emphasis on joint articulation for the purpose of informing
believable gesture
WEEK 1 Review of the human skeleton and major joints
Basic Joint Movement Terminology
Introduction to the muscles of the upper torso, front and back
WEEK 2 Bone Test
WEEK 3 The Arm and the Shoulder
Relationship to the Torso
Main Muscle Groups
WEEK 4 The Leg and Buttock
Relationship to the Torso
Main Muscle Groups
WEEK 5 Muscles of the Complete Torso
Mass, volume, movement, form and function
WEEK 6 Muscles of the Hand and Foot
WEEK 7 Mid-term evaluation and critique
PORTFOLIO #1 DUE
WEEK 8 Introduction to the Walk Cycle (in consultation with Animation
Stream)
Leg movement
Muscles of the hip, knee, ankle, toe
WEEK 9 Field Study to the Zoo
Animal Drawings
WEEK 10 Muscles of the Head, Neck and Face
Neck insertion, head rotation
WEEK 11 Facial muscles and features, facial triangle
WEEK 12 Review of Human Anatomy
PORTFOLIO #2 DUE
WEEK 13 Assessments and portfolio critiques
WEEK 14 End of year critiquing
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Sheridan Policies
All Sheridan policies can be viewed on the Sheridan policy website.
Academic Integrity: The principle of academic integrity requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the professor, or otherwise submitting work that is not the student's own, violates this principle and will not be tolerated. Students who have any questions regarding whether or not specific circumstances involve a breach of academic integrity are advised to review the Academic Integrity Policy and procedure and/or discuss them with the professor.
Copyright: A majority of the course lectures and materials provided in class and posted in SLATE are protected by copyright. Use of these materials must comply with the Acceptable Use Policy, Use of Copyright Protected Work Policy and Student Code of Conduct. Students may use, copy and share these materials for learning and/or research purposes provided that the use complies with fair dealing or an exception in the Copyright Act. Permission from the rights holder would be necessary otherwise. Please note that it is prohibited to reproduce and/or post a work that is not your own on third-party commercial websites including but not limited to Course Hero or OneNote. It is also prohibited to reproduce and/or post a work that is not your own or your own work with the intent to assist others in cheating on third-party commercial websites including but not limited to Course Hero or OneNote.
Intellectual Property: Sheridan's Intellectual Property Policy generally applies such that students own their own work. Please be advised that students working with external research and/or industry collaborators may be asked to sign agreements that waive or modify their IP rights. Please refer to Sheridan's IP Policy and Procedure.
Respectful Behaviour: Sheridan is committed to provide a learning environment that supports academic achievement by respecting the dignity, self-esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination, Academic Integrity and other academic policies are available on the Sheridan policy website.
Accessible Learning: Accessible Learning coordinates academic accommodations for students with disabilities. For more information or to register, please see the Accessible Learning website (Statement added September 2016)
Course Outline Changes: The information contained in this Course Outline including but not limited to faculty and program information and course description is subject to change without notice. Any changes to course curriculum and/or assessment shall adhere to approved Sheridan protocol. Nothing in this Course Outline should be viewed as a representation, offer and/or warranty. Students are responsible for reading the Important Notice and Disclaimer which applies to Programs and Courses.
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