ARTS20330
Interpretive Drawing |
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I: Administrative Information II: Course Details
III: Topical Outline(s) |
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Retain during the course and for future use when applying for credit at other educational institutions
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Section I: Administrative Information
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Total hours: 42.0
Credit Value: 3.0
Credit Value Notes: N/A
Effective: Fall 2008
Prerequisites:
(ARTS14219)
Corequisites:
N/A
Equivalents:
N/A
Pre/Co/Equiv Notes: N/A |
Program(s):
Visual and Creative Arts, Visual and Creative Arts - Adv
Program Coordinator(s):
Andrew Bodor
Course Leader or Contact: N/A
Version: 1.01
Status: Approved (APPR)
Section I Notes:
N/A
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Section II: Course Details
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Detailed Description
Students work in series to develop visual ideas from observational
sketches and their imagination in this intermediate level drawing
course. Emphasis is placed on developing an extensive personalized
repertoire of marks and images using a variety of drawing processes
and media.
Through lectures, demonstrations, in-class assignments and homework
projects students develop drawing skills, expand their ability to
generate ideas and transfer their learning to other studio
disciplines.
Program Context
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Visual and Creative Arts |
Program Coordinator: Andrew Bodor |
This is an optional second
year drawing course providing
an alternative to figurative
drawing.
Visual and Creative Arts - Adv |
Program Coordinator: Andrew Bodor |
This is an optional second
year drawing course providing
an alternative to figurative
drawing.
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Course Critical Performance and Learning Outcomes
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By the end of this course, students will have demonstrated the
ability to develop a visual idea from a source through a series of
drawings. The drawings will demonstrate an understanding of design,
enriched mark-making, abstraction, and show an extensive knowledge of
drawing processes.
To achieve the critical performance, students will have demonstrated
the ability to:
1. Implement health and safety practices during studio work
2. Create drawings from observation and the imagination that
utilize a variety of media
3. Use appropriate terminology and vocabulary to critique and
analyze drawings and artwork
4. Handle a variety of drawing materials and tools competently
5. Generate visual ideas quickly through drawing
6. Develop a series of visual ideas from a source
7. Transform an observational sketch into an abstract image
8. Apply the Principles of Design (unity, scale, balance,
rhythm) to composing drawings
9. Develop an extensive, personalized repertoire of marks and
images
10. Use drawing as a valuable practice in conjunction with object-
making
11. Produce a high quality portfolio of sketches and finished
artwork
12. Exhibit professional behaviours and attitudes including:
- openness to peer and instructor critiques
- willingness to work collaboratively
- commitment to meeting project due dates
- commitment to the development of unique solutions
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Evaluation Plan
Students demonstrate their learning in the following ways:
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Evaluation Plan
Students demonstrate their learning in the following ways:
Weekly investigations submitted with each project)4 @ 10% 40%
Project 1: Drawing in series from observation 15%
Project 2: Drawing in series from the imagination 15%
Project 3: Connecting drawing processes to painting 15%
Project 4: Abstracting from nature 15%
Faculty of the Visual & Creative Arts Program at Sheridan encourages
students to submit all projects on
time as this is excellent training for professional practice.
For all submissions:
All assignments and exercises must be submitted at the beginning of
the class on the date specified in the assignment brief unless
otherwise stated. If an assignment is handed in by the end of class,
it will receive a 10% grade reduction. An assignment submitted within
one week will receive a 20% grade reduction. Assignments more than
one week late will not be graded unless a prior arrangement has been
made with the teacher.
If there is a valid reason for the late assignment, the student must
email the teacher no later than the date the assignment is due to
indicate it will be late. If the reason is deemed to be valid, there
will be no late penalty.
There will be no resubmission of work unless, under exceptional
circumstances, this has been agreed to or suggested by the teacher.
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Provincial Context
The course meets the following Ministry of Training, Colleges and Universities requirements:
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Essential Employability
Skills
Essential Employability Skills emphasized in the course:
X
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Communication
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X
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Critical Thinking & Problem Solving
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X
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Interpersonal
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Numeracy |
X
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Information
Management |
X
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Personal
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Notes: N/A
Prior Learning Assessment and Recognition
PLAR Contact (if course is PLAR-eligible) : Office of the Registrar
Students may apply to receive credit by demonstrating achievement of the course learning outcomes through previous relevant work/life experience, service, self-study and training on the job. This course is eligible for challenge through the following method(s):
Challenge Exam |
Portfolio |
Interview |
Other |
Not Eligible for PLAR |
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X |
X |
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Notes: N/A
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Section III: Topical Outline
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Some details of this outline may change as a result of circumstances such as weather cancellations, College and student activities, and class timetabling.
Effective term: Fall 2008
Professor: Multiple Professors
Textbook(s): A list will be provided to students in class.
Applicable student group(s): Visual & Creative Arts
Course Details:Regular, punctual attendance and participation is necessary for
successful completion of this studio-based course.
Week 1: Introduction
- Discussion of course outline, objectives and drawing media and
materials
- Studio protocol and procedure
- Introduction to enriched mark-making and generating a series of
drawings from a source
- Exploration of marks of resistance (wax resist with India ink) on
watercolour paper and mylar
Week 2:
- Demonstration and student exploration of wet media on different
grounds, i.e. water soluble graphite, reed pen and brush with ink
- Multiple gesture drawings from observation, prolonged studies
exploring line quality, weight and value
- Homework: Prepare papers with charcoal for next week and bring
objects to draw
- Project 1 (10% + 15%): Drawing in series from observation (Due week
4)
Week 3
- Demonstration and student exploration of marks of subtraction
(charcoal and gum eraser)
- Make a series of observational sketches from the same object,
exploring different compositions and perspectives.
- Discussion of drawings in terms of the Principles of Design
Week 4
- Critique of Project 1
- Lecture and slide show on generating drawings from the imagination
- Project 2 (10% + 15%): Drawing in Series from the Imagination (Due
week 7)
- Homework: Bring in sketches, motif and images that relate to a
myth, song, poem, story, memory
Week 5
- Study drawings of contemporary artists
- Introduce new drawing process of collaging and layering with
translucent and opaque papers
- Develop imagery through quick drawing, free association
Week 6
- Demonstration and student exploration of drawing process using wire
and wet conte on vellum and mylar
- Continue to develop imagery through quick drawing, free association
Week 7
- Critique of Project 2
- Project 3 (10% + 15%): Connecting Drawing Processes to Painting
(Due week 11)
Week 8
- Slide show of contemporary visual artists using drawing in their
practice: linking drawing processes to art practice
- Demonstration and student exploration of drawing processes linked
to painting
- Translucency, opacity and value are emphasized
- Non-traditional materials used for mark making and imagery
Week 9
- Demonstration and student exploration using non-traditional
materials
- Line quality and rhythm is emphasized
Week 10
- Discussion of studio explorations
- Students develop imagery by executing gestural sketches in the
various media
Week 11
- Critique of Project 3
- Slide lecture: Abstraction in drawing
- Project 4 (10% + 15%): Abstracting from Nature (Due week 14)
Week 12
- Small gestural and extended sketches outdoors on campus grounds
using choice of media
- Alter scale and change media to abstract the sketches
- Homework: make new sketches from nature in another environment
Week 13
- Develop sequential images based on homework assignment
- Discuss and analyze images in terms of the principles of design and
content
Week 14
- Class Critique of Project 4
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Sheridan Policies
All Sheridan policies can be viewed on the Sheridan policy website.
Academic Integrity: The principle of academic integrity requires that all work submitted for evaluation and course credit be the original, unassisted work of the student. Cheating or plagiarism including borrowing, copying, purchasing or collaborating on work, except for group projects arranged and approved by the professor, or otherwise submitting work that is not the student's own, violates this principle and will not be tolerated. Students who have any questions regarding whether or not specific circumstances involve a breach of academic integrity are advised to review the Academic Integrity Policy and procedure and/or discuss them with the professor.
Copyright: A majority of the course lectures and materials provided in class and posted in SLATE are protected by copyright. Use of these materials must comply with the Acceptable Use Policy, Use of Copyright Protected Work Policy and Student Code of Conduct. Students may use, copy and share these materials for learning and/or research purposes provided that the use complies with fair dealing or an exception in the Copyright Act. Permission from the rights holder would be necessary otherwise. Please note that it is prohibited to reproduce and/or post a work that is not your own on third-party commercial websites including but not limited to Course Hero or OneNote. It is also prohibited to reproduce and/or post a work that is not your own or your own work with the intent to assist others in cheating on third-party commercial websites including but not limited to Course Hero or OneNote.
Intellectual Property: Sheridan's Intellectual Property Policy generally applies such that students own their own work. Please be advised that students working with external research and/or industry collaborators may be asked to sign agreements that waive or modify their IP rights. Please refer to Sheridan's IP Policy and Procedure.
Respectful Behaviour: Sheridan is committed to provide a learning environment that supports academic achievement by respecting the dignity, self-esteem and fair treatment of every person engaged in the learning process. Behaviour which is inconsistent with this principle will not be tolerated. Details of Sheridan's policy on Harassment and Discrimination, Academic Integrity and other academic policies are available on the Sheridan policy website.
Accessible Learning: Accessible Learning coordinates academic accommodations for students with disabilities. For more information or to register, please see the Accessible Learning website (Statement added September 2016)
Course Outline Changes: The information contained in this Course Outline including but not limited to faculty and program information and course description is subject to change without notice. Any changes to course curriculum and/or assessment shall adhere to approved Sheridan protocol. Nothing in this Course Outline should be viewed as a representation, offer and/or warranty. Students are responsible for reading the Important Notice and Disclaimer which applies to Programs and Courses.
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